Friday, December 7, 2012

Photography Product Review

Sekonic Line Up

For many years I have had a crush on the Sekonic lineup, beyond the technical
features of the meters. The plan is to de-tangle the mystery of the light meters
starting from the basics all the way to the latest features.

Speaking of features, I am pleased with the latest interface, which is based in
a touch control panel, pretty much like an iPhone. Better yet, the display shows vintage scales which in turn results in a very appealing feature, easy to work with and pleasant
to the eyes.

For those who have been around photography for a while, there is a major departure from the earlier models, however the change is welcome.

The picture to the right shows under the big 5.6 sub 7, the vintage scale I was mentioning earlier, the great combination I praised to the Sekonic design department.

So in order to get my point across, I am about to show you another picture with a former Sekonic lineup of analog meters, the pioneers of the vintage scale.



This scale is in essence a calculus ruler or computer, made up by rotating or sliding scales, calibrated in such a way to deliver the truth.
 
Big difference is not it?
All you can tell is the basic configuration of lumisphere on top of the information display and the Same Sekonic logo. Brilliant.

Before writing this comment on the meters, I was watching the videos on how to interpolate this round dials and it is fairly easy to play with.

All the required steps make sense and once you do it a few times, it stays with you.
Another thing people (myself included) tend to think is, that all that changes is presentation but the basic information remains the same. 

But I cannot totally agree with it, since precision and efficiency are also improved. All in all I am very comfortable with the latest pouch screen presentation, and look forward to write a primer on all the models so you can get the hang of the meters and also, to see the commonalities among all of them.

Last but not least, the second to latest series, the denim-blue display line up has been a pillar of modern photography, with all the features a relentless an outdoors or studio photographer would dream about.

I want to be two years in the future just to see the market reaction regarding the new interface, to see whether the denim blue line up disappears or perseveres in time due to its quality and versatility.

Enough of personal comments, and lets get ready for a real primer on each one of the meter from basic to complex up until the very latest models we already know a bit about. Happy Holidays.

Saturday, November 26, 2011

Ballheads Separate The Men, From The Boys

www.http://miguelperezphoto.com/about-us.html

Have you ever wondered why the look of a magazine picture is so different from those snapshots you get with your iPod even though the quality is very good? It is because of the professional experience behind the camera and most of the time under the camera.

Let me clarify on this, one of the most determining factors involved in the quality of a picture is the motion blur caused by an uncommanded motion while the shutter flicks. This in turn creates a blur named after itself (motion blur) as a result of capturing an action too fast for the shutter speed. The final outcome is viewed as a swaying  and undefined image.

This case is the very limit of its damage as you can also have the symptoms at a lower level in which case the result will be a little fuzziness that takes away the sharpness of the image. Long story short, when the image is not perfectly supported by a supporting device such as a mono-pod or tripod, the quality of the picture is at risk.

 
Induro makes a professional grade ball-heads for the most demanding conditions as the materials used to assemble the balls are the finest. No effort is spared in the design and development of Induro products, perhaps a bit on advertising. You don;t get much adverts with the Induro logo, it is more of a connoisseur thing. Excellent quality excellent performance.



The Really Right Stuff ball-heads are probably known as the best of the market and that is for a reason: High Quality. However I would say that the title might be disputed with other brands since it is a very subjective issue. There is no benchmark, only a reputation built on quality and also on marketing. Some manufacturers invest a large sum on advertising and sponsorship therefore they get more recognition on the user's side and if the products are good, there you have it. Great Gear and catchy name.

You can tell a lot from the manufacturer by the way they portray their products. Here is more backup to those lines I wrote above, suggesting that marketing efforts also sum up to the public recognition balance.

A great model used with heavier cameras of larger formats, yet I feel that the best advice about choosing a head-ball is to do the homework and compare the specs. Talk to the associates at photography shops, they are usually very knowledgeable and willing to share what they know.


Add to the list an interesting competitor called Manfrotto with an overall acceptance on all product categories where they compete. We could not say that these are the finest of the finest but these are certainly a great choice for any application. I will owe the readers a report on the Giotto MH1302 which also deserves a comment.

Again, there is nothing like comparing specs and searching for advice, you will always get it and will therefore make a great selection.

Until the next issue,

Miguel Perez
www.http://miguelperezphoto.com/about-us.html


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